241 Things

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Studium Generale 1000things lectures, The Hague

241 Things

Shopping the stars

Shopping the stars, along the M8, Glasgow 1996

Shopping the stars

Shopping the stars, along the M8, Glasgow 1996

The exaggerated kind of art

The way it’s supposed to be art

The I’m a child of the sun art

The God is with us art

The I work with animals art

The I work with textile art

The I work with energy art

The I do something with people art

The I love you art

The that’s the way it is and leave it be

The and again type of art

The don’t cross the line art

The that the way it was art

The absurd-making art

The I see so many beautiful things art

The that’s the way it actually is art

The this is what you get when you do that art

The I found this and did something with it art

The I see what you don’t see art

The what is it really like art

The that’s the way it is and it will stay art

The watch me torture myself art

The what on earth is that about art

The back to school art

The my subject is giraffe and I will explore that art

The bigger the better art

The as long as it’s far away art
The look at me go! Art

The watch your navel art

The look how horny I am art

The I don’t care about anything art

The whole milk art

The I do that too art

The I could do that too art

The I really want to be real art

The look at all I’ve read art

The it looks almost real art

The laughs and entertainment art

The don’t mess with this art

The look what I made art

The feel with me art

The it’s not what you think art

The thick wood sawed with planks art

The that’s just me art

The romance of the sketchpad art

The greasy glitzy art

The statement art

The showing that that’s the way it is art

The if you do this you get that art

The back to basics are

The look how honest I am art

The I’m still working on it art

The I read this and made that art

The long live confusion art

The I do it for you art

The little means, big result art

The that’s the way I work art

The pleasantly worked together art

The just do whatever art

The show where it comes from art

The bring it on art

The let yourself go art

The conversation in between art

The I thought it should be like that, I did it, and now it’s good art

The oh-how-awful art

The there’s already so much art

The out of context art

The if you put this next to that art

The now something new happens art

The how did you come up with that art

The you’re allowed to see the strings art

The done by computer art

The it’s still functional art

The I’m making a point art

The I make you think art

The let’s make a meal art

The I do something with space art

The I find space very important art

The I think, actually, everything is important art

The, well, I could do that too art

9gag.com

9gag.com

Last night, our new-found friends from Chicago came to visit us in our little house on Farnsworth street in Detroit. We talked a lot about art, and again (as it often does here in the Midwest) the discussion turned to the virtues (or not) of community art and audience participation. Kevin was talking about an artist colleague of his who did a project where she would install plastic containers at the toilets of friends and collect their leftovers to produce manure, which she would then later return in a cup, ready to be used in the nearest flower pot.

We talked about how LONG she would be able to sustain this practice and if that was important or not for the project. Or if it was maybe enough that the art worked on a more metaphorical, symbolic level. Apparently this woman was also a great communicator and had managed to get support from powerful people (Patricia Arquette) in high places (Hollywood).

Surely this could be a very useful, green and worthy art project with many possible positive benefits for mankind and the planet as a whole?

And it is usually around this point in the discussions surrounding community art that I fall asleep spiritually and mentally. And it's not ONLY because I am a mean spirited, jaded cynic, who can't value utilitarianism. But because it is so different and alien from my own experience of art and culture. If I look at my own experience of culture I think about what was important to me, what changed me as a human, and what helped me to develop.

I value and respect Greenpeace, the Red Cross (and the Crescent) or Médecins Sans Frontières just as much as the next guy. I just don't think it's art, and I don't think that they see it as art either. It would take some truly hardcore relational aesthetics guy or girl to claim that as an art piece.

There were very few utilitarian reasons for me to listen to Sex Pistols or Throbbing Gristle, or read books by William Burroughs, Charles Bukowski or Jack Kerouac, or laugh myself silly reading Robert Crumb…au contraire! There was NOTHING healthy about it. Which of course was partly the reason why I got into it in the first place. Does anyone seriously believe that people listen to Death Metal or experimental Jazz for any hidden health reasons?

Jack Kerouac

But it did help me to become a more complex person, it did challenge my beliefs and it did force me to open up to new ways of looking at the world. And it did fuck up my mental hard disk and after that I can't process information and ideas in the same way as I did before and I think that's all you can ask of art.Here in the Midwest (as I have written about before) a lot of the little support there is for art, is tied to educational projects. I have no problem with this, I TOO teach, but I don't call it art!

In the 60's and 70's there were huge debates in Europe and USA, usually from a leftist perspective. Wasn't it time for the artists to fianally get off the fence and make themselves useful for the workers and join the revolution? Every artist and writer joined either the Communist party or the RAF, except Salvador Dali who just wanted to make precious GOLD!

"Make yourself useful, go into Bijlmer and help some poor Suriname kids," was the mantra (until very recently) from Dutch politicians who felt that maybe they could finally get some economical and social returns from the parasite artists that they had subsidized for much too long. I am already doing this by the way, but for other more "culturally perverted" (=sound) reasons.

Now the calls come from the cultural right (or maybe the cultural nihilists would be a more correct description). Go and entertain Henk and Ingrid in Apeldoorn (the Suriname kids are of course out of fashion). I don't mind being useful or utilitarian, but I rather call that teaching, giving lectures or workshops to be able to keep my art free, dirty and perverted.

And if you haven't paid attention, most poor, uneducated people ALSO prefers their culture dirty and nasty. See Baile Funk in Brazil and Gangster Rap in the States, etcetera. And they find it condescending when we honkies come up with another well meaning do-good-er project in the Bijlmer, Rio or Detroit.

So let's keep real culture sick ‘n’ nasty and leave the do-good-erism to Greenpeace. And if you absolutely can't restrain yourself and just have to do some good, just call it a workshop and you're off the hook....

Peace Out!!!!

Jonas Ohlsson reporting form Detroit thanks to Expodium